Ink and wash is not only an unique material encompassing a wide range of cultural and historical memories and personal perceptions, but also a spiritual medium for the holistic interaction between nature and humanity. Ink art, although faced with challenges in the contemporary age, always has the vitality for self-renewal and always tries to find a possible path between individual and history, art and life and tradition and internationality. Ink art can provide Chinese artists with an expression of visuality and mentality, and can point out a promising path facing the crisis of contemporary art. To pursue a more contemporary and international ink art, as well as a modern transformation of culture and life, the Art Granary from Beijing has explored the academic, modern and international aspects of ink art and has held good exhibitions like Chinese Infra-Color Aesthetics and Character image Art, cooperating with many outstanding ink art artists of all ages with different personal experiences and artistic languages. The ink art exhibition at Artron Art Museum in Shenzhen is both an academic report and a new start of ink painting. The ink art exhibition Jointly organized by Art Granary and Artron Art Museum in Shenzhen is both an academic report and a new start of ink painting. After 2020, Ink art needs a new direction and a proper attitude towards life, i.e., a correct attitude towards life to bring ink art back to the innermost concern of life, which include many concerns, such as a concern for the relationship between ink and the innermost feeling, a concern for the trend of technology at this time and a concern for the connection between art and souls. Only with these comprehensive concerns is it possible for ink art to have a new start. Art Granary devotes to integrate Chinese ink painting into the contemporary context, adhering to the rigorous principle of academic research, systematically presenting the oriental philosophical thinking and quality of ink painting, releasing its internationality and future possibilities. Works in this exhibition, which were basically created after 2020, present us the fragility of life and the difficulty of art facing the artists, begin an inner dialogue and create an inner space of experiences between blackness and chillness, between composure and sharpness, between poetry and vastness, between heaviness and lightness, between painting and installation, and so on. It is a communication between souls. 以“服务专业，公益大众”为宗旨，为艺术专业人群、藏家及资深艺术爱好者带来专业艺术文献书籍15万册、举办艺术展览30余场、艺术课程300余堂、艺术活动280余场；以丰富的内容、展览和活动体验，为十万大众带来公益性艺术普及教育与欣赏，全面提升全民艺术品味和修养。 雅昌艺术中心不仅是全球首创的整合艺术服务的全景式平台，还是一个以艺术教育为纽带的会员制艺术俱乐部。在这个纯粹的艺术空间，可阅读，可学习，可冥想，可与友人高谈阔论，可即兴创作，捕捉转瞬的灵感。 美艺，时代精神的尺度； 养艺于民，成时代之大美。